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Actually, I was looking for this information for 3 years!...now thanks to you, the manual is on my hands and of great help, cause I understand now where I was doing wrong connections and wires...excellent, I'll be back to you if in need, thank you.
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This manual covers the main equipment features only. While it also includes the procedure for saving and loading from the now long obsolete memory cards it does not mention the how to operate with the optional floppy drive interface so I am still at a loss about how to use this! Note that there is a separate manual covering the MIDI interface and programming via the keyboard, not included in this download. You will also need to get hold of this if you want to use the MIDI interface properly. Basically there is little difference between this manual and the free to download manual for the similar PR60 model.
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Good list of manuals. I found a very rare one and easily get. Should be promptly to download, as we must to wait hours even after confirmed payment.
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The manual was properly scanned and perfectly readable. The only small problem is that I couldn't use my dear Ctrl + F to find a word I needed.
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Nothing wrong with the manual or the delivery - came to me the same day I ordered it. But afterwards I realized that I ordered the wrong manual. Probably better with the Quick start - version. So maybe it would be better if we could see a list with inhold for each manual before ordering?
Model Beta 98/S User Guide
GENERAL RULES FOR MICROPHONE USE 1. Aim the microphone toward the desired sound source and away from unwanted sources. This may not be obvious or intuitive, since supercardioid microphones such as the BETA 98/S can pick up sounds from the rear. 2. Place the microphone as close as practical to the desired sound source (refer to the table below). 3. Work close to the microphone for extra bass response. 4. Use only one microphone to pick up a single sound source. 5. Use the fewest number of microphones as practical. 6. Keep multiple microphones separated by a distance equal to at least 3 times the distance to the nearest sound source. 7. Place mics as far as possible from reflective surfaces. 8. Use a windscreen when using the microphone outdoors. APPLICATIONS AND PLACEMENT The most common BETA 98/S applications and placement techniques are listed in the following table. Keep in mind that microphone technique is largely a matter of personal taste; there is no one �correct� microphone position.
APPLICATION Tom-Toms SUGGESTED MICROPHONE PLACEMENT Using the A98D drum mount, place one on each tom, or between each pair of toms, 1 to 3 in. (2.5 to 7.6 cm) above drum heads. Aim each mic at top drum heads. On double head toms, remove bottom head and place mic inside pointing up toward top drum head. Snare Drum 1 to 3 in. (2.5 to 7.5 cm) above rim of top head of drum. Aim mic at drum head. If desired, place a second mic just below rim of bottom head. Using the A98D drum mount, place the mic close to the cymbal, but far enough away that it doesn�t touch it when cymbal is struck. Place microphone a few inches from and aiming into bell. Place microphone 4 inches from grille at center of speaker cone. TONE QUALITY Medium attack; full, balanced sound.
MODEL BETA 98/S
SUPERCARDIOID CONDENSER MICROPHONE GENERAL The Shure BETA 98/S is a compact, high-output, supercardioid condenser microphone for professional sound reinforcement and studio recording. Its extremely uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. Its high maximum sound pressure level (SPL) makes it useful for a variety of acoustic instruments, including drums, percussion, piano, reed, wind, and string instruments. The BETA 98/S can also be used for amplified guitars. The BETA 98/S includes either a shockmount swivel adapter (BETA 98/S) or the A98D drum mount (BETA 98D/S). The A98D drum mount has a specially designed gooseneck that allows the microphone to be positioned freely, yet holds it securely in place once the ideal placement has been found. The BETA 98/S is supplied with a windscreen, storage bag, preamplifier, and an interconnect cable. The preamplifier can be powered by any 48 Vdc phantom power supply. FEATURES � Tailored frequency response for studio quality performance � Wide dynamic range for use in high SPL environments � Uniform supercardioid pattern for high gain before feedback and superior rejection of off-axis sound � Optional A98D drum mount is unobtrusive and versatile� allows precise positioning of the microphone while holding it firmly in place � Compact design reduces stage clutter � Detachable cable for easy storage � Interchangeable microphone cartridges with different polar patterns are available � Legendary Shure quality, ruggedness, and reliability MODEL VARIATIONS BETA 98D/S includes microphone, 4.6 m (15 ft) heavy-duty interconnect cable, preamplifier, and A98D microphone drum mount. BETA 98/S includes microphone, 7.6 m (25 ft) light-weight interconnect cable, preamplifier, and shockmount swivel adapter.
Medium attack; full, balanced sound. More �snap� from drumstick. More �snare� sound. Bright, with plenty of attack. Bright, minimizes feedback and leakage. Natural, well-balanced.
Hi-Hat Cymbals
Reed Instruments Guitar Amplifier
NOTE: Before each use, make sure the cartridge is tightly secured on the microphone, as vibration and accidental hits with drumsticks may loosen it, resulting in signal loss. INTERCONNECTING CABLE The supplied cable connects the BETA 98/S to the preamplifier. If necessary, up to 23 m (75 ft) of cable can be used between the microphone and preamplifier without signal loss. USING THE SHOCKMOUNT SWIVEL ADAPTER Use the following procedures to mount the Beta 98/S on the swivel adapter (see Figure 1): 1. Connect the microphone to the connector.
2005, Shure Incorporated 27D3108 (Rev. 5)
Printed in U.S.A.
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